BY GEORGIA, DANCE FREE 🌈

Why do we dance?  To belong?  To free ourselves? And Then We Danced is a film by Swedish-born Levan Akin that has absorbed festivals from Venice to Cannes. And had a few bricks thrown at it on homeground.  Written by Kirsty Allison, this review appears in the March edition of DJMag, alongside a feature on the brilliant and highly recommended new book, Threshold (Bloomsbury) by … Continue reading BY GEORGIA, DANCE FREE 🌈

THURSDAY NIGHT IN LONDON TOWN

THIS PARTY IS NEXT WEEK. It’s at the Bomb Factory in Holloway.  It will be excellent. BELOW IS A PICK OF TONIGHT’S CULTURAL SLICKNESS OF LONDON. TONIGHT THURSDAY: COLD LIPS FAVE UP N COMER OF EASEL Sam Jackson whose penchant for tattooing the faces of the infamous – has a show opening at OLD STREET’S CHARLIE SMITH GALLERY  And further east, into Whitechapel, Gallery 46 is showing a group … Continue reading THURSDAY NIGHT IN LONDON TOWN

Kikagaku Moyo, Electric Brixton 🌘🍄🌘

London, 25 May 2019: A cool crew of boys with hair that felts together in a wig of 70s squat, expand around the balcony of the Electric in Brixton tonight for an extravaganza of neo-acid rock – surrounded by girls you wanna meet walking the California desert – tassels, feathers, denim, crochet – long hair, wild hearts. Headlined by Kikagaku Moyo (it’s taken 10 times … Continue reading Kikagaku Moyo, Electric Brixton 🌘🍄🌘

Tanning at the Tate

The dominant tale of art history is to assume Dorothea Tanning was not a surrealist until her husband hailed her that when walking into her studio in 1942, much as Duchamp claimed Freya Von Freytag-Loringhoven’s urinal, his own. Witnessing this phenomenal retrospective of the radically free Tanning, who married Max Ernst in 1946, at 36, in a double marriage with Juliet Browner and Man Ray, … Continue reading Tanning at the Tate